Tag Archives: 2012

Art Monthly Talk Show 10th February 2014

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Bob Dickinson discusses his feature from Art Monthly February 2014 on art and unemployment and his reviews of related exhibitions at Tate Liverpool, Castlefield Gallery and Untitled Gallery Manchester.

The representation of the jobless in art shifted dramatically in the 20th century as industrialisation brought with it mass protests in public spaces against the conditions of the unemployed. But how have artists such as LaToya Ruby Frazier, Richard Shields and the Bite Back Movement portrayed the increasingly invisible unemployed of our current post-industrial world?

‘In the post-industrial world so-called unemployment blackspots out of which the unemployed never seem to be able to escape, and into which artists find it difficult to fit, have replaced the public spaces through which the older, defunct icons of unemployment previously paraded or demonstrated.’

The programme is hosted by Matt Hale who has worked at Art Monthly since 1991.

Previous episodes are available on Art Monthly’s website www.artmonthly.co.uk/events.htm

Art Monthly magazine offers an informed and comprehensive guide to the latest developments in contemporary art.Fiercely independent, Art Monthly’s news and opinion sections provide regular information and polemics on the international art scene. It also offers In-depth interviews and features; reviews of exhibitions, performances, films and books; art law; auction reports and exhibition listings

Art Monthly magazine is indispensable reading!

Special magazine subscription offer  £29 .

www.artmonthly.co.uk

 

Art Monthly Talk Show 14th December 2012

 

 

 

 

 

 

 
Ajay Hothi opens the magazine that was a box- Aspen Magazine 1965-71
Questioning the successes, or otherwise, of its own form allowed Aspen to become a series of individual art objects.

 

Michael Hampton discusees his feature Human Nature on contrasting views of outdoor art
Recent exhibitions, including ‘Garden of Reason’ and ‘Wild New Territories’, have presented art in pastoral settings. How have artists, such as Gordon Cheung, Alexandre da Cunha, Kathleen Herbert, Alan Kane, Michael Landy, Simon Periton and Daphne Wright, responded to nature and mankind’s determination to shape it?
‘Hermit-in-residence Harold Offeh’s Arcadia Redesigned, 2012, a seasonal consultancy in a glass-fibre grotto at the bottom of Ham’s Kitchen Garden, was supplemented by a series of fantastical spectacles.

The programme is hosted by Matt Hale who has worked at Art Monthly since 1991.

 

Previous episodes are available on Art Monthly’s website www.artmonthly.co.uk/events.htm

 

Art Monthly magazine offers an informed and comprehensive guide to the latest developments in contemporary art.Fiercely independent, Art Monthly’s news and opinion sections provide regular information and polemics on the international art scene. It also offers In-depth interviews and features; reviews of exhibitions, performances, films and books; art law; auction reports and exhibition listings

 

Art Monthly magazine is indispensable reading!

 

Special magazine subscription offer  £29 .

 

www.artmonthly.co.uk

Six Pillars – Shallow Water, Deep Skin

Acid Drops - 2005

Still: political activist and entomologist Shahin Nawai in 'Shallow Water, Deep Skin'

 

 

 

 

 

 

 

 

 

 

Nooshin Farhid, video artist, whose solo show Shallow Water, Deep Skin is now running at East London’s The Agency Gallery discusses her work and process with us back in 2008. Over the years Farhid has co-curated a number of exhibitions including Use this Kind of Sky and has exhibited the world over gathering together a considerable body of work and lengthy resumé.

Farhid’s videos employ different subjects and scenarios that thread together with a connecting sense of agitation and grit. We discuss her interests and how Fahid’s ideas form which interestingly harks back to her own experiences as an immigrant settling in the UK. The unwillingness to settle for what is on offer, something that is evident in all her work, reflects Farhid’s views on the current state of society, politics and ideology. Though not overtly political, (for this inevitably enables privileged authority to manipulate the artist into the cul de sac of irrelevance), her work picks away at those daily familiar stabilising forces within the space of the everyday and also within contemporary art itself.

Farhid’s work, eclectic and conceptually nomadic, uses the camera as a notebook collecting fragments of random events and chance meetings that collectively question the incessant drive towards normality and conformity. Farhid appropriates other ‘dumbing’ forms of popular media: soaps, reality TV, Bollywood, MTV, raw material welded together in fragments, each one activating and qualifying its predecessor. This process produces a contemporary surreal space that re-presents the familiar in that which is astonishing and invites the viewer to reconsider. In her most recent work Shallow Water, Deep Skin, featuring political activist and entomologist Shahin Nawai in ‘Shallow Water, Deep Skin’ Farhid reaches the apex of her observations of the human disconnect by melding together the swarming world of nature and human kinds’ own busy, teeming concerns.

Most of all, Farhid turns out to be a quirky and humorous talent, who works as both artist and curator, resident and outsider. This interview was first broadcast from the ResonanceFM studios in 2008.

Six Pillars – Art & Patronage Summit 2012

Highlights from the Art & Patronage Summit, London 2012. The A&P Summit was an invitation-only event for notable patrons, collectors, arts institution leaders, curators, academics, artists, diplomats and other influential players involved in culture of and for the greater Middle East, including Turkey, Iran and North Africa. Capitalising on the region’s current cultural vitality and socio-political momentum, the Summit aimed to enable both individuals and institutions to collaborate creatively in support of an emerging art scene.

The summit was  held on January 12th at the British Museum and on the 13th at the Royal College of Art.

WOW Festival Preview

Joined by a group of dynamic women all well versed in the constant debate around gender and society, Fari Bradley discusses the pending take over of London’s Southbank Centre for WOW Festival 2012, marking International Women’s Day.

Guests are writer Hannah Pool, best known for her column “The New Black” in The Guardian and co-programmer of WOW, Lynne Parker, founder of Funny Women – one of One Hundred Unseen Powerful Women ‘who change the world’ for her outstanding work in the arts, Rachel Millward founder of Bird’s Eye View an organisation that work to help the mere 7% of all filmmakers who are women, plus Domino Pateman Arts Co-ordinator and Artistic Director Jude Kelly’s assistant on special projects.

We went last year on the winding March Across the Bridge with Annie Lennox, heard women with positions in Afghanistan’s government as well as many other groups explain their work and their situation. The warmth and urgency of the massively diverse crowd has stayed with us. This is the second WOW festival, aiming to put women fully at the centre of public life.

Listen to ResonanceFM’s podcast from last year HERE.