In the first episode of the tenth series of Panel Borders, Alex Fitch talks to Chris Baker and Shaky Kane about their comic The Last Driver from Dead Canary Comics, currently on Kickstarter, which combines 1960s road movies with giant irritated monsters. Kane also discusses his latest collaboration with David Hine – Cowboys and Insects – which is about to receive a new print edition; interview recorded at Safari Festival, August 2016.
(Panel Borders continues on the 1st Wednesday of each month at 5.30pm, repeated the following Sunday at 6am. Originally broadcast as the first half of a Clear Spot on Resonance 104.4 FM, 7th September 2016)
Excerpts from The Last Driver by Chris Baker and Shaky Kane and Cowboys and Insects by Kane and David Hine / Kane, Fitch and Baker at Safari Festival
Continuing our two part look at the work of Avery Hill Publishing, Alex Fitch talks to Rachael Smith about her latest title The Rabbit and drawing back-up strips for Doctor Who comics, and Tillie Walden discusses her work for the company including The City Inside and The End of Summer plus her Eisner Award nominated graphic novella I Love This Part.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as the second half of a Clear Spot on Resonance 104.4 FM, 10th May 2016)
Covers from A City Inside, The End of Summer and I Love this Part by Tillie Walden / The Rabbit, Artificial Flowers and Doctor Who: The Tenth Doctor 2.1 by Rachael Smith
A special episode looking at the output of Avery Hill Publishing: Alex Fitch talks to various creators and staff at this young British Comic Book company about their varied output. In a round table panel discussion Avery Hill co-publisher Dave White, publicity agent Katriona Chapman, plus artists Edie O.P., Matthew Swan, and Owen Pomery discuss moving from self publishing to having a company to help promote your work.
Avery Hill logo + art by Matt Swan, Edie OP and Owen Pomery
Alex Fitch talks to Charlie Hebdo alumnus Riad Sattouf about the first volume of his autobiographical strips about growing up in France, and the Middle East published as The Arab of the Future by Two Roads Books. Alex and Riad explore how the book relates to the latter’s experiences as a film-maker on such movies as Jacky in the Kingdom of Women, plus his interest in Victorian serialised entertainment by Dickens, and children’s adventure comics by Hergé.
Cover and interior of The Arab of the Future and poster for Jacky in the Kingdom of Women by Riad Sattouf
Alex Fitch talks to Eisner Award winning artist Craig Thompson about his first full colour graphic novel Space Dumplings, an uproarious depiction of adventure and galactic travel published by Faber, in which the daughter of an interstellar salvage man goes on a trip of her own meeting aliens, giant robots and space whales. Fitch and Thompson also discuss the latter’s collaborations with other creators such as James Kochalka and Theo Ellsworth and how this might predict more work in the future, including a sequel to …Dumplings.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as half of a Clear Spot on Resonance 104.4 FM, 12th April 2016)
Cover and interior art from Space Dumplings by Craig Thompson / extract from “Conversation” by James Kochalka and Thompson
Panel Borders: Action – The Story of a Violent Comic
Guest presenter Professor Martin Barker (University of Aberystwyth) investigates the story of Britain’s notorious Action comic, which was launched on Valentine’s Day and banned by Halloween in 1976. Professor Barker explores the rise and fall of the comic, what elements of the strips were censored and censured, and how the legacy of Action was continued in “The Galaxy’s Greatest Comic” – 2000AD. Also, in a panel discussion entitled: “Poor, angry white kids”, Barker discusses Action with its writer Pat Mills and 2000AD artist Jim McCarthy. Edited, and recorded at Graphic Brighton / Cine-Excess 2015 by Alex Fitch.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as a Clear Spot on Resonance 104.4 FM, 8th March 2016)
The most notorious cover of Action, and the issue never printed / Barker, Mills and McCarthy at Graphic Brighton and Cine-Excess (photo by Lisa Mills) / cover of The Story of a Violent Comic by Martin Barker
Alex Fitch talks to cartoonist Rachel Ball about her graphic novel The Inflatable Woman, a magical realist tome loosely based on her experiences with breast cancer and dating, featuring talking penguins and unreliable lighthouse keepers! Fitch and Ball also discuss the latter’s tenure on Deadline Magazine and her next project Wolf Man. Recorded at Cartoon County, Brighton, January 2016.
Interior art and cover of The Inflatable Woman, Wolf Man and Lisa + Lulu by Rachael Ball
Electric Sheep Magazine podcast: Frankenstein revived, Superman Lives
In the February episode of the Electric Sheep Film Show, Electric Sheep Magazine editor assistant editor Alex Fitch talks to Jasper Sharp, artistic director of the Asia House Film Festival, which runs from 22 February, to actor Tony Todd about Bernard Rose’s new adaptation of Frankenstein, and to the director (Jon Schnepp) and producers (Holly Payne, Robert Pierce) of the documentary The Death of Superman Lives. With classic tracks by The Clique, Klark Kentt and The Crystals.
The Electric Sheep Film Show continues on the 3rd Wednesday of each month at 8pm, repeated the following day at 9am.
Blu-Ray cover for Frankenstein (2015) / Asia House Film Festival flyer / Jon Schnepp interviewed by Alex Fitch at BFI Southbank / The Death of Superman Lives poster
Originally broadcast as a ‘Clear Spot’, 17th February 2015 on Resonance 104.4 FM; The Electric Sheep Film Show continues on the 3rd Wednesday of each month at 8pm, repeated the following day at 9am, on Resonance FM.
Guest presenter Chiara Ambrosio talks to psycho-geographer and novelist Iain Sinclair and artist Dave McKean about their collaborations such as Slow Chocolate Autopsy and London Orbital, their inspirations and their working methods. The podcast also includes additional questions from Alex Fitch and others, plus readings by Sinclair and McKean of their short stories The Articulate Head and The Coast Road. Recorded at The Light and Shadow Salon, Horse Hospital, Bloomsbury in July 2014. (Partially broadcast as an episode of Panel Borders, 21/07/14 on Resonance FM)
Dave McKean, Chiara Ambrosio and Iain Sinclair at the Horse Hospital / cover and interior art from Slow Chocolate Autopsy
Panel Borders: Comix Creatrix and The Black Feather Falls
Alex Fitch talks to a pair of comic book creators featured in the all female exhibition Comix Creatrix, on display at House of Illustration, Granary Square, London which includes work by 100 artists from the Eighteenth Century to the present day.
Ellen Lindner discusses her latest graphic novel, the Edwardian Murder Mystery The Black Feather Falls published by Soaring Penguin Press, in a Q and A recorded at the Lakes International Comic Art Festival, in Brew Brothers Tea Shop, Kendal.
Also: Tula Lotay (a.k.a. Lisa Wood) explores her work in serialised comics such as Image Comics’ Elephantmen and Supreme: Blue Rose, her stewardship of the Leeds comics festival, Thought Bubble, and her thoughts on the importance of the Comix Creatrix Exhibition.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as the first half of a Clear Spot on Resonance 104.4 FM, 9th February 2016)
Covers of Undertow and The Black Feather Falls by Ellen Lindner, photo of The House of Illustration, covers of Supreme: Blue Rose #1 and Vision #2 by Tula Lotay