Electric Sheep Magazine Podcast: Looking East / Thalma Goldman
Electric Sheep editor Virginie Selavy talks to East End Film Festival programmer Andrew Simpson, Masonic Temple programmer Josh Saco, and to Evrim Ersoy, programmer and presenter of DukeFest the Third. Electric Sheep assistant editor Alex Fitch discusses Israeli-born British artist and animator Thalma Goldman with Richard Hallam and Sylvie Venet-Tupy, authors of Thalma, An Artist’s Life. Plus an extract from a conversation between Austrian filmmaker Peter Tscherkassky and British director Peter Strickland (Berberian Sound Studio, The Duke of Burgundy) recorded at the ICA. With music by The White Stripes and The Sex Pistols.
Cover of Thalma, An Artists Life by Richard Hallam and Sylvie Venet-Tupy / posters for Duke Fest, Temple Cinema and EEFF
Continuing our two part look at the work of Avery Hill Publishing, Alex Fitch talks to Rachael Smith about her latest title The Rabbit and drawing back-up strips for Doctor Who comics, and Tillie Walden discusses her work for the company including The City Inside and The End of Summer plus her Eisner Award nominated graphic novella I Love This Part.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as the second half of a Clear Spot on Resonance 104.4 FM, 10th May 2016)
Covers from A City Inside, The End of Summer and I Love this Part by Tillie Walden / The Rabbit, Artificial Flowers and Doctor Who: The Tenth Doctor 2.1 by Rachael Smith
Freakishly tall, draped in a soutane, my brain pounding, I found myself standing before a trench full of sludge. In each hand, I discovered I was holding a bucket of pungent goo. My feet were encased in sturdy plastic bootees and at least two pairs of socks. I squelched across the trench, each step expelling from the sludge noisome fumes that wafted in the air behind me, shimmering and stinking. After some minutes, I clambered on to the other side, and rested the buckets upon the ground. Sulphurous fires ablaze within my skull, I had made the crossing from LIFE into DEATH. Eternity was before me.
Electric Sheep Magazine podcast: James Bond – Kill Command
The monthly show about cult and world cinema. In this month’s show, Electric Sheep Assistant editor Alex Fitch talks to the director – Steven Gomez – and cinematographer – Simon Dennis – of a excellent new British Sci-Fi thriller, Kill Command, about robots and drones in an army training exercise going on a murderous rampage, in a Q and A recorded at Hackney PictureHouse as part of SCI-FI-LONDON 2016. Also, University of Reading Professor of Television and Film Jonathan Bignell discusses the influences and connections that 1950s television had on the production of the early James Bond films and novels (Recorded at University of Brighton, Film and Screen Seminar, November 2015). Featuring classic tracks by Pink Floyd, Jimmy Lloyd and Dionne Warwick.
Originally broadcast 17th May 2016 on Resonance 104.4 FM (London)
Vanessa Kirby and friend in Kill Command / Barry Nelson, Peter Lorre et al. in Casino Royale (1954)
A special episode looking at the output of Avery Hill Publishing: Alex Fitch talks to various creators and staff at this young British Comic Book company about their varied output. In a round table panel discussion Avery Hill co-publisher Dave White, publicity agent Katriona Chapman, plus artists Edie O.P., Matthew Swan, and Owen Pomery discuss moving from self publishing to having a company to help promote your work.
Avery Hill logo + art by Matt Swan, Edie OP and Owen Pomery
Alex Fitch talks to Charlie Hebdo alumnus Riad Sattouf about the first volume of his autobiographical strips about growing up in France, and the Middle East published as The Arab of the Future by Two Roads Books. Alex and Riad explore how the book relates to the latter’s experiences as a film-maker on such movies as Jacky in the Kingdom of Women, plus his interest in Victorian serialised entertainment by Dickens, and children’s adventure comics by Hergé.
Cover and interior of The Arab of the Future and poster for Jacky in the Kingdom of Women by Riad Sattouf
Electric Sheep Magazine podcast: Skolimowski and Kinoteka
Celebrating this year’s Polish Film Festival Kinoteka, Alex Fitch talks to Oscar winning producer Jeremy Thomas and director Jerzy Skolimowski about the latter’s work on such films as The Shout, Essential Killing, and his latest movie 11 Minutes. Virginie Selavy talks to writer and filmmaker Daniel Bird about the late director Andrzej Zulawski, and his translation of the director’s Cosmos. With classic tracks by Blondie, Otis Spann, and Mitch Ryder and the Detroit Wheel. Kinokteka continues at various London venues until 28th April, with Skolimowski’s autobiographical trilogy screening at Close-up between 22nd and 24th April.
Stills from the Shout and 11 Minutes by Jerzy Skolimowski / Cosmos by Andrzej Zulawski
Alex Fitch talks to Eisner Award winning artist Craig Thompson about his first full colour graphic novel Space Dumplings, an uproarious depiction of adventure and galactic travel published by Faber, in which the daughter of an interstellar salvage man goes on a trip of her own meeting aliens, giant robots and space whales. Fitch and Thompson also discuss the latter’s collaborations with other creators such as James Kochalka and Theo Ellsworth and how this might predict more work in the future, including a sequel to …Dumplings.
(Panel Borders continues on the 2nd Tuesday of each month at 8pm, repeated the following day at 9am. Originally broadcast as half of a Clear Spot on Resonance 104.4 FM, 12th April 2016)
Cover and interior art from Space Dumplings by Craig Thompson / extract from “Conversation” by James Kochalka and Thompson
Following a screening of High Rise as part of the symposium J.G. Ballard in the Seventies, Alex Fitch talks to three members of the production team behind Ben Wheatley’s adaptation of J.G. Ballard’s High Rise. Dan Martin discusses arranging the special effects for the movie and creating realistic gore for Wheatley’s films, Mark Tildesley talks about dressing the set cost effectively and how this compared to working with Michael Winterbottom on Code 46, and Odile Dicks-Mireaux discusses making science-fictional clothes for the cast, including a James Bond style suit for Tom Hiddleston.
Alex Fitch talks to Dan Martin, Odile Dicks-Mireaux and Mark Tildesley on stage at the British Library after a screening of High Rise