Mathieu Copeland and Cally Spooner
Category Archives: Shows
Polish Deli 13 01 2013
In the First Episode of Polish Deli in 2013 Kacper Ziemianin tries to connect the passing 2012 with 2013 by the music he plays and to introduce artists he is going to feature in the first months of 2013.
Language: Polish/English
featured artists: Hubert Zemler, Gerard Lebik, Doktor Pytor, Kakofonikt…
OST 03.10.2012 – Greek Special
Superb OST Show with Jonny ‘Spellcheck, Dammit!’ Trunk here with a music trip to Greece. Yes, Greek film music and Greek soundtrack Gods – Theodorakis, Vangelis, Hadjidakis etc and not a plate smashing sequence in sight. Awesome, beautiful, abstract and rarely heard sounds…
Hooting Yard: The Breadcrumbs Man
On a stormy March day precisely one year after the historic picnic, the Viper Pit of Gaar was officially renamed the Bottomless Viper Pit of Gaar at a special pitside ceremony. The mayor, the beadle, the Grand Vizier, the honest burghers and a gaggle of peasant folk gathered for speeches, the cutting of ribbons, the flying of banners, the relentless pounding of drums, the parping of tootlers, and chanting, chanting, chanting, and other celebratory what have you, including the tossing into the Bottomless Viper Pit of several vipers, and a picnic, with sausages and beakers of invigorating tonic.
This episode was recorded on the 3rd November 2011. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the six publications We Were Puny, They Were Vapid, Gravitas, Punctilio, Rectitude & Pippy Bags, Unspeakable Desolation Pouring Down From The Stars, Befuddled By Cormorants , Inpugned By A Peasant And Other Stories Porpoises Rescue Dick Van Dyke and Brute Beauty And Valour And Act Oh Air Pride Plume Here Buckle! are available for purchase.
Hello GoodBye – 12.01.13 – Piper’s Son, Art Trip and the Static Sound + M.R. Dowsing
The first episode of Hello GoodBye for 2013 with;
Piper’s Son who draws on a huge range of elements from the mental jukebox of a compulsive music listener – the vocal playfulness of Robert Wyatt, the compelling simplicity of Bill Callahan, the elastic space of dub, or the deep listening experience of field recordings.
Art Trip & the Static Sound, presenting new tunes from their next release, “EP2.” This expands on their sound palette that now includes rocking out, jamming and ferocious noise.
Plus author M.R. Dowsing reads an extract from his debut novel, The Assassination of Adolf Hitler.
PLAYLIST:
haiku salut – sounds like there;s a packman crunching away on your heart
piper’s son – fuel for the day (LIVE SESSION)
piper’s son – hiding in the cinema (LIVE SESSION)
piper’s son – doctor at the door (LIVE SESSION)
serafina steer – night before mutiny (HG archive)
hungry dog brand – a long way from here
m.r. dowsing – ‘interview’
m.r. dowsing – the assassination of adolf hitler (exctract) (LIVE READING by Ean Ravenscroft)
m.r. dowsing – party time (LIVE SESSION)
pheromoans – relaxed opal demo
art trip and the static sound – into the night (LIVE SESSION)
art trip and the static sound – pressure (LIVE SESSION)
art trip and the static sound – mothercare (LIVE SESSION)
art trip and the static sound – machine gun (LIVE SESSION)
woman’s hour – our love has no rhythm
lost harbours – springs fire
art trip and the static sound – ‘interview’
the 5th runway – bruce’s babes
Presented by: deXter Bentley & Ean Ravenscroft
Live sound engineers: Kacper Ziemianin & Tom Kemp
Panel Borders – 25 years of John Constantine: Hellblazer
Panel Borders returns after the Christmas break for a new series in an earlier slot on Sunday evenings. Starting a series of shows about the 25th anniversary of the occult detective John Constantine’s first appearance in his own solo comic book, Alex Fitch talks to writers Jamie Delano, Andy Diggle and Peter Milligan, and artist David Lloyd, about creating issues of Hellblazer from its first issue to the present day. Jamie and David discuss the early days of the comic, launched as a spin off from Alan Moore’s acclaimed run on Swamp Thing while Andy and Peter talk about bringing the character into the 21st Century.
(Recorded in front of a live audience at SCI-FI-LONDON, Apollo Piccadilly Cinema, April 2011)
Hellblazer comics by Jamie Delano, David Lloyd, Andy Diggle and Peter Milligan
Links: Websites – Jamie Delano / David Lloyd / Andy Diggle / Peter Milligan / SCI-FI-LONDON Continue reading
Panel Borders – 25 years of John Constantine: Hellblazer [ 56:10 ] Play Now | Play in Popup | DownloadWavelength – Jack Bruce
One of the greatest bass players of all time Jack Bruce is one of the first wave of British blues musicians. His career reads like a who’s who of British blues and includes Alexis Korner’s Blues Incorporated, Graham Bond Organisation, John Mayall’s Blues Breakers and Cream. 1: Two Heartedly, To the Other Side, from Vertical’s Currency (1984). 2: The First Time I met the Blues, from Graham Bond Organisation recorded at the Railway Hotel, West Hampstead in 1964. 3: Folk Song, from BBC Live in Concert 1977. 4: Velasquez, from Desire Develops an Edge (Kip Hanrahan 1983). 5: We’re going wrong, also from Live at the BBC. 6: All Us Working Class Boys, also from Desire Develops an Edge.
Six Pillars to Persia – Playright/ Director Nassim Soleimanpour
Tehran-based Soleimnapour’s latest production White Rabbit, Red Rabbit is an experiment with roots in improv theatre; a new actor each night, reads the script who delivers the piece cold, in front of a live audience and renders each delivery in itself, unique. Running in the LIFT 2012 festival, at Notting Hill’s Gate Theatre, the play looks at issues of obedience and manipulation. The play requires the performers to know next to nothing about the content and has attracted performers as renowned as Juliet Stevenson, among others. So how does it work?
The actor is handed a sealed envelope in front of the audience, inside which will be the script. There has been no rehearsal, no direction and in fact there is no set just an actor and an audience without costume and without other characters on whom to rely. Reading cold is never easy, the play stretches the actor to his limit in front of an audience who knew more about the play than its actor before the start.
Imagine being 29 and unable to leave your country. ‘White Rabbit, Red Rabbit’ dissects the experience of a whole generation in a wild, utterly original play. Soleimanpour turns his isolation to his advantage with a play that requires no director, no set, and a different actor for each performance. Volcano Theatre & Necessary Angel co-produced the world premiere of White Rabbit, Red Rabbit in 2011, shown simultaneously at SummerWorks and Edinburgh Fringe Festival. It is now playing around the world.
OST 04.05.2012 – Ten Year Anniversary Special
Jonny Trunk presents the Resonance FM tenth anniversary OST Show, with a 2 hour review of the film music, TV music and soundtracks we have played, discovered, dug up and championed in the last exciting decade. Marvellous! He also takes time out to give Robin The Fog a slap for not uploading these archive podcasts more regularly. More treats coming soon and more regularly, we promise…
Here’s to the next ten years!
Wavelength – Audio-films (for radio).
1. “Weekend” by Walter Ruttmann was a pioneering sound work commissioned in 1928 by Berlin Radio Hour. In a collage of words, music fragments and sounds, on 13th June 1930 the avant-garde film-maker Walter Ruttmann presented a radically innovative radio piece: an aural impression of a Berlin weekend urban landscape. In Ruttmann’s own words “Weekend is a study in sound-montage. In Weekend sound was an end itself.” Before making Weekend, Ruttmann had produced the experimental documentary Berlin-Symphony of a Great City as well as a number of short, experimental abstract animated films. Ruttmann sought possibilities for producing an audio-film for radio. “Everything audible in the world becomes material,” he wrote in a manifesto in 1929, anticipating Schaeffer, Varese and Cage. For Weekend sounds were recorded on optical sound film using the so-called Tri-Ergon process. The broadcast was never repeated and the original was lost until rediscovered in New York in 1978. In 2000 a CD was issued called Weekend Remix including ‘to rococo rot’ Berlin 98 version and that is the track played. 2. This track is an excerpt of Journey number 1 by the little known artist Jack Ellitt, born in England, but brought up in Sydney Australia. The vinyl record it comes from was pressed in 1954 but it is believed that the original dates from the 1930s when Ellitt was working with Len Lye on an unfinished film that evoked space travel. Apparently Ellitt’s music came before the film concept and acted as inspiration for the project. Released in 2007 on the CD Artefacts of Australian Experimental Music 1930-1973. 3. “L’Anticoncept” by the Lettrist poet Gil J. Wolman, being five excerpts from the film which was shown for the first time on 11 February 1952 at the ‘Avant-Garde 52’ cinema club. It consisted of blank illumination projected onto a weather balloon, accompanied by a staccato spoken soundtrack. The film was banned by the French censors on 2 April 1952. When the Lettrists visited the Cannes Film Festival the following month, they were forced to restrict the audience to journalists only. The text of the soundtrack was published in the sole issue of the Lettrist journal Ion in 1952. Ion also included the text of Guy Debord’s film Howls for Sade, which was dedicated to Wolman and featured his voice in its own soundtrack. 4. “Theme for an Imaginary Western” a song written by Jack Bruce and Pete Brown originally appearing on Bruce’s Songs for a Tailor album in 1969. The song is sometimes referred to as “Theme from an Imaginary Western.” and has been performed by many artists, including Jack Bruce, Mountain, Leslie West, Colosseum, Greenslade and DC3. Mountain bassist and vocalist Felix Pappalardi had helped produce Bruce’s album and brought the song to guitarist/vocalist Leslie West’s attention for their album Climbing! and Mountain performed the song at the Woodstock Festival in 1969. This is the version by Mountain.