Panel Borders: John Higgins – Before (and after) Watchmen

Panel Borders: John Higgins – Before (and after) Watchmen

Concluding our month of shows about British comics, Alex Fitch talks to writer, artist and occasional self-publisher John Higgins about his career so far. Alex and John talk about the latter’s first experiences in comics, being published in Bryan Talbot’s Brainstorm and 2000AD, his landmark collaboration with Alan Moore on Watchmen and his new strip The Crimson Corsair, which is being serialised in prequel series Before Watchmen.

Future Shock, Judge Dredd, Watchmen and Before Watchmen art by John Higgins (copyright Rebellion / DC Comics 2012)

Future Shock, Judge Dredd, Watchmen and Before Watchmen art by John Higgins (copyright Rebellion / DC Comics 2012)

Visit www.archive.org, for more info and formats you can stream / download.

Links: John Higgins’ website: turmoilcolour.com
Art by John Higgins at www.comicartfans.com
Info about Before Watchmen at digitalspy.co.uk
Articles about John on the Forbidden Planet International blog
Listen to Alex Fitch’s interview with Dave Gibbons about Watchmen and other comics work and various interviews with Alan Moore

Wavelength – Destruction in Art part 1

Part one of a series on auto-destructive Art and Music coinciding with an exhibition curated by David Toop and Tony Herrington at The Flat Time House, South London called Blow Up: Exploding Sound and Noise, London/Brighton 1959-1969. David Toop will be along next week to talk about the exhibition. The July edition of The Wire includes an article called Brotherhood of the Bomb. By another coincidence a conference took place at UCLA called Sonic Doom: Decay, Disease and Destruction in Music on June 4th and 5th, sponsored by Echo; a music centered journal. Other guests lined up for July include artist Michael Landy to talk about his own auto-destructive art practice, Nicky Hamlyn will talk about film that destroys itself and curator Mathieu Copeland co-author of Voids will talk about Voids possibly. Today’s programme starts with 3 different versions of Anyhow, Anyway, Anywhere by The Who, played simultaneously, followed by a 4 minute extract of Guitar Drag by Christian Marclay and then Turntable Solo by Otomo Yoshihide.

Hooting Yard: Marzipan Wolf

Next, acquire a large glob of marzipan. It should be at least the size, if not the shape, of an average adult wolf. If you are not sure what that is, make study of wolves, for example by combing through reference books, preferably illustrated, by watching informative documentary films at the local fleapit, or by stalking the heaths and moors at dead of night. Remember that in moonlight it can be difficult to judge distance, so get as close to any pack of heath or moorland wolves as you possibly can. Wear dark clothing and night-vision goggles, if they are available in your neck of the woods.

This episode was recorded on the 4th August 2011. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the six publications We Were Puny, They Were VapidGravitas, Punctilio, Rectitude & Pippy BagsUnspeakable Desolation Pouring Down From The StarsBefuddled By CormorantsInpugned By A Peasant And Other Stories and Porpoises Rescue Dick Van Dyke are available for purchase

Cassette: Episode 3

Cassette covers the history, culture, and future of the audio cassette tape. Each episode takes a cassette-based theme and brings together enthusiasts and experts to shed further light on it.

Produced and presented by  Naomi Christie.

Driving tapes: “Resonance 104.4FM jumps into an old nissan micra with some near-strangers to find out what cassettes are playing. Journalist Virginia Bridgewater and programmer Joe Lambourne discuss the tapes they like to play in the car ranging from 90s rave to teach yourself Spanish. Then actress Isabelle Schoelcher remembers childhood car journeys in Syria listening to Jean Michel Jarre on tape”.

Isabelle Schoelcher

more info: http://cassetteradio.wordpress.com/

contact: cassetteradio@gmail.com

Originally broadcast on 21st April 2012

 

Reality Check: The work of Warren Ellis

Reality Check: The work of Warren Ellis

Iyare Igiehon (BBC 6music) discusses the work of Warren Ellis with Matt Jones (BERG design), Matthew Sheret (We are words + pictures) and Kieron Gillen (X-Men). Jones talks about SVK, the new comic by Ellis and D’Israeli, commissioned by BERG, Sheret discusses how Ellis inspired him to become a writer and Gillen talks about his friendship with the writer and their Marvel collaborations.

Excerpt from SVK by Warren Ellis and Disraeli / Covers of newuniversal: 1959 and Phonogram vs. the fans

Excerpt from SVK by Warren Ellis & D'israeli / Covers of newuniversal: 1959 and Phonogram vs. the fans

For more info about this podcast and a variety of other episodes you can download, please visit the home of this episode at www.sci-fi-london.com

Links: Buy SVK by Warren Ellis and Disraeli from BERG design Continue reading

Art Monthly Talk Show 13th April 2012

 

 

 

 

 

 

 

 

On Drawing- Christopher Townsend

Christopher Townsend touches on the physicality of drawing

Renaissance artists considered drawing a way of communicating the maker’s identity, and it remains an artform that is resolutely physical. Even the most apparently hands-off of artists, such as Donald Judd and even Gordon Matta-Clark, are drawn to reveal their corporeality through the medium – albeit at one remove.

‘Donald Judd’s fabricator drawings become scripts for a bodily performance by the worker who produces the object, with as much space as possible left open for interpretation: the artist’s body vanishes, noli me tangere.’

The programme is hosted by Matt Hale who has worked at Art Monthly since 1991.

Previous episodes are available on Art Monthly’s website www.artmonthly.co.uk/events.htm

Art Monthly magazine offers an informed and comprehensive guide to the latest developments in contemporary art.

Fiercely independent, Art Monthly’s news and opinion sections provide regular information and polemics on the

international art scene. It also offers In-depth interviews and features; reviews of exhibitions, performances, films and books; art law; auction reports and exhibition listings

Art Monthly magazine is indispensable reading!

Special magazine subscription offer for Resonance 104.4 listeners.Subscribe now and save 40% on the cover price at

www.artmonthly.co.uk

 

 

Panel Borders: Young graphic novelists, Spring 2012

Panel Borders: Young graphic novelists, Spring 2012

As part of our month of episodes on British comics, we have our twice yearly look at a pair of young graphic novelists. Warwick Johnson Cadwell has garnered a great reputation for his small press work and contributions to short story collections, and Dickon Harris talks to WJC about his first graphic novel, Gungle, to be published in the near future by Blank Slate Books. Also, Alex Fitch talks to artist Jennie Gyllblad who, following a number of web comics and self-published collaborations with writer Corey Brotherson, has just finished The Arrival, the first of a three volume steam-punk graphic novel series Clockwork Watch curated by film-maker Yomi Ayeni.

Excerpts from Clockwork Watch: The Arrival by Jennie Gyllblad, Yomi Ayeni and Corey Brotherson / Paris by Maarten Vande Wiele

Excerpts from Clockwork Watch: The Arrival by Jennie Gyllblad, Yomi Ayeni and Corey Brotherson / Paris by Maarten Vande Wiele

Originally broadcast 22/04/12 on Resonance 104.4 FM Continue reading

Hooting Yard: Urgh.

The newspaper cuttings are convincing forgeries, but forgeries nevertheless. By dint of the pincer-like precision of my research, if I mean pincer-like, and I think I do, I can reveal exclusively that the deliberate counterfeiting of details of Urgh the howler monkey’s biography served a malign purpose, but fortunately not one with cataclysmic world-juddering implications. Indeed, if the fiendish scheme had come to fruition, it would have had an effect only within the immediate vicinity of the information centre, and the effect itself, hideously awful as it would be, would have dissipated within a day or so. It makes one wonder why some weedy-brained ne’er-do-wells will go to such lengths, it really does. But perhaps that goes some way to account for the weediness of their brains.

The Missing Murdoch

Dobson And The Pit

Porpoises Rescue Dick Van Dyke

Ambrose And Ploppo

Find The Bailing Bucket

Urgh

This episode was recorded on the 28th July 2011. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the six publications We Were Puny, They Were VapidGravitas, Punctilio, Rectitude & Pippy BagsUnspeakable Desolation Pouring Down From The StarsBefuddled By CormorantsInpugned By A Peasant And Other Stories and Porpoises Rescue Dick Van Dyke are available for purchase

Wavelength – James Tregaskis

Guest Rhonan O’Reilly aka James Tregaskis almost delivers a lecture on hydrogen and Gurdjieff but fate and a temperamental laptop force an anticipated change of direction. Chants of the Native American Church of North America featuring Alfred Armstrong and Ralph Turtle provide a backdrop to some information about Gurdjieff before the laptop sulks into silence. Carlo Gesualdo (1560-1613), Prince of Venosa, was also a composer of Madrigals. In 1590 he had his wife and her paramour murdered. His use of chromatic scale passages was, in those days, unheard of as were the effects he was able to extract from harmonies revolving around a pivotal note. The laptop is coaxed into action and James continues with a recording of Gurdjieff’s music for harmonium and a conversation about macaroni before briefly describing meetings in West London where Gurdjieff and Ouspensky apparently inspire social interaction in the Fourth Way. Who knows.

Free Lab Radio – Egyptian Lover!

An interview with the great electro-Pharaoh West Coast Pioneer. After an hour of  his early 80s and 90s releases, we launch into an in-depth interview to discuss the rise of feminism, spirituality of music and the future for Egyptian Empire Records, his own label, reputed to be the first Afro-American record label. Tracks like Freak-a-holic, influenced by Kraftwerk, made Egyptian Lover one of the most notable producers  and DJs of his time. Still performing with his 808 and decks, Egyptian Lover visits the UK for a one-off gig. Follow Free Lab Radio’s blog or more regular posts on Facebook