Marvin Suicide: 87 – Dr. Snuggles.

Hello. Marvin suicide plays music on the internet, and its free, and its good, and its trendy. Wear the music about you like a really fash pair of shoes and scarf and be the envy of your not-so-fash buddies.

Here is the tracklisting for show 87.

1. Thursday by Databoy78, 5 Days EP:
www.adapter-netlabel.org

2. The Blues Of A New Man by June Panic, Horror Vacui:
www.secretlycanadian.com

3. Ransome by The Drastics, Premonition:
www.thedrastics.com

4. Yenne by Young Jazz Giants:
music.download.com

5. Bat Bi Hiru Lau by The Ronnie Wibley Orchestra, Numerology Compilation:
www.wmrecordings.com

6. Old Fashion Morphine by Jolie Holland, Escondida:
www.anti.com

So there you have it. Fash for no cash.

Bye bye.

Hooting Yard: Bucephalus and the Cephalopods in the Bosphorus

It was not night-time, sultry or otherwise, when Bucephalus arrived at his destination. It was day, bleak, grey, and wretched, and the majestic horse stood still at the river’s edge, snorting. Alexander the Great did not expect him back in Macedonia for a week. Remember this is the Ancient World, so such landmarks as line the Bosphorus as the Galata tower, the palaces of Dolmabahce, Ciragan, Yildiz, and Beylerbeyi, the Rumeli and Anatolian Fortresses, and the Kuleli Military High School had not yet been built. Bucephalus began to trot, following the river’s course, hoping to find a field where he could have a restful time munching nutritious foliage.

squid.jpg

It was late afternoon on that Thursday when the horse decided to rest, and planted his hooves in the mud at the edge of the Bosphorus where today one finds the Bogazici suspension toll bridge. He noticed a churning in the waters of the mighty river, and turned his horse-head to look more intently. He was astonished to see a tangle of cephalopods thrashing around in the river, cephalopods large and small, octopuses, squids, cuttlefish and chambered nautiluses, emitting clouds of ink, tentacles flailing. What were they doing upriver, rather than in the dark, cold abysses of the sea? Were they lost, and did this explain their frantic activity? Cephalopods are probably the most intelligent of invertebrates, with huge pulsating brains, and it is easy to imagine that the realisation of being lost in the Bosphorus could induce panic among them.

  • Bucephalus and the Cephalopods in the Bosphorus
  • Rainer Werner Ringbinder
  • Some notes on Podcasting
  • Colossus (Dobson)
  • Dispense! Dispense! (Vatican ATMs)
  • Certain aspects of plastic baubles and plastic sheeting (ends abruptly due to recording error).

This episode of Hooting Yard was first recorded on the 1st March 2006. A complete transcript of all Hooting Yard episodes can be found on Frank Key’s website.

I’m ready for my close-up: Doctor Who – Planet of the Myth Makers (episode 2 of 4)

In the first half of this episode of I’m ready for my close-up, Alex Fitch concludes his interview with Nicholas Briggs focusing on Nick’s history as an interviewer of Doctor Who stars such as Jon Pertwee and Elizabeth Sladen and then talks to Robert Shearman, the writer of last year’s TV episode Dalek.
This is the second show of four looking at the world of Who and will be followed next by a discussion with writer and critic Kim Newman about the continuing popularity of the show.
If you’d like to hear a Doctor Who radio play by Nick: BBC7 will be broadcasting Sword of Orion which features Paul McGann and the Cybermen, on Sundays at 6pm & midnight starting tomorrow (September 24th) and available to download from the BBC website for a week after.

Links: Big Finish – http://www.bigfinish.com/drwho
Wikipedia entry on Rob Shearman
BBC7 website

Originally broadcast 13th July (26 mb)

I’m ready for my close-up: Doctor Who – The Voice of Doom (episode 1 of 4)

Alex Fitch interviews Nicholas Briggs, the actor who provides the voices of the Daleks & the Cybermen in Doctor Who and even the Timelord himself on a number of occasions… Nick is also the Executive Producer of Big Finish productions, the company which produces the majority of Doctor Who radio dramas.
This is the first show of four shows covering all aspects of Who and will be followed by the second half of Alex’s interview with Nick plus a discussion with one of the writers of the new series on TV…
If you’d like to hear a Doctor Who radio play by Nick: BBC7 will be broadcasting Sword of Orion which features Paul McGann and the Cybermen, on Sundays at 6pm & midnight starting this weekend (September 24th)

Links: Wikipedia entry on Nicholas Briggs
BBC7 website
Big Finish Productions

Originally broadcast 6th July (27 mb)

the heard world 38: FM Radio

sorry for the lack of shows lately. i’ve moved my address as well as been over the pond. more will follow.

Enjoy this show, broadcast over FM radio to my kitchen. if you don’t like it, think of it as filler until the next installment. special thanks to toby and ami.

Marvin Suicide: 86 – Manic Minor.

This episode has nothing whatsoever to do with Manic Minor, but does have a lot to do with music and silly-ness. Please find below the tracklist and links to where the songs were found.

1. Davon by [in]anace:
www.metempsychosis.com

2. Legend Of Bill by Big City Orchestra, Boom Crash Crash:
www.comfortstand.com

3. The Snake Who Watched by Liquid Concept, Concentric Ethics LP:
www.17sons.com

4. Greg Palast: Weapon Of Mass Instruction Live:
www.alternativetentacles.com

5. Down By The Phosphate Mine by Al Duvall, The Butler’s Revenge:
www.brainwashed.com

6. Whats It All About by Fortyone, Comfort Cake Compilation:
www.comfortstand.com

7. World Of Poo by Pete Kemble:
www.petekemble.com

I hope you like listening to the programme.

Radio Gallery number 12: Sight Unseen

Authors: Sally Booth, Maria Oshodi, Julia Schauerman and Steve Webber
www.radiogallery.org

The increasing desire of visually impaired people to fully participate in cultural life and the implementation of disability rights legislation has focused the minds of galleries and arts professionals. This has led to a discourse that has gone beyond the bounds of access and is contributing to a wider examination of long accepted norms embedded within the art world. Progressive thinking in the context of art and visual impairment has led to a wider questioning of the dominance of vision in the hierarchy of the senses.

Pressure for equal access, both as audiences and practitioners, demands the abandonment of old stereotypical responses on the part of the arts establishment and an acknowledgement of and engagement with new perspectives.

Inspired by the book ‘Sight Unseen’ a discourse in the form of a correspondence carried out between two philosophers Martin Milligan who was blind from birth and Brian Magee who is sighted. This programme will draw upon its contributors diverse experience to attempt to create a piece of radio art which explores new perspectives in representing ‘visual’ arts in a non visual context tackling some of the philosophical and practical implications involved in this.

With contributions from Tony Brennan, Mark Lawson, Paul Margrave, Bonny Mitchell, Sarah Owen, Arti Prashar, John Schauerman, Marie Schauerman and Julie Takata. And special thanks to Velda.

Hooting Yard: The Ogsby Steering Panel

Were you lucky enough, when you were a tiny tot, to receive an Ogsby’s Steering Panel as a birthday gift? I was. I still remember with absolute clarity waking on the icy cold morning of my tenth birthday, and finding at the foot of my bed a rectangular object wrapped in old newspaper, on which either my father or my mother had scribbled in crayon “Happy Birthday To Our Ten-Year-Old”. I was a dutiful and pious child, so before tearing the package open I repaired to the bathroom to brush my teeth and plunge my head into a sink full of icy water, and then I went downstairs to find my parents.

steering_panel.jpg

My mother was in the garden slaughtering insects. I thanked her for my gift and asked where my father was so I could thank him too. She gave me a woebegone look and patted me on the head, mussing my hair in which icicles were beginning to form.

“I am afraid your father had to take the dawn train to a secret military establishment at an undisclosed coastal location – towering cliffs, monstrous waves, shingle – where he will be cooped up for the next six months helping to devise counter-intelligence techniques for use against an enemy so powerful, so ruthless, so fiendish, that it beggars belief,” said my mother, and she tapped the side of her nose, indicating that this startling news was to be kept under my hat, had I but a hat to keep it under.

  • The Ogsby Steering Panel
  • Saving your Swan From Bird Flu
  • Gluten-Free Jabbering Man
  • A Buttercup in a Field, and an interview about buttercups.
  • Custard

This episode of Hooting Yard was first broadcast on the 22nd of Febuary 2006. Please visit Frank Key’s Hooting Yard Website for a complete transcript.

Cyber Chutney Arse Duck: Part 6

This is the Cyber Chutney Arse Duck Show, and you are listening to the Cyber Chutney Arse Duck Show. This is a show specifically designed for some person who might be walking down a country lane, at 3 in the morning listening to this show…

It is with great sadness and a heavy heart that I post this, the last Cyber Chutney Arse Duck Show in the series. Please don’t cry little Jonny, just keep thinking of the good times. I shall not tease you with what this last episode contains, let it be a surprise, a gift even. For you have made it this far and to divulge even the smallest of details could be likened to a kick in the teeth followed by a kiss on the cheek.

So without further ado I present Part 6 of the Cyber Chutney Arse Duck Show…

e-mail: Poo Lord

My Podcast Alley feed! {pca-53a4b1da2e7562224940cd1f3ef49345}

Radio Gallery number 11: IF KONST2 / KONST2 IF

Authors: Konst2 and International Festival
www.radiogallery.org

The program plays out in many different ways. Konst2, the artists turned curators, invites International Festival, the curators and teachers making art, to become executors for a radio piece about Konst2, the artists. A word to mouth, buzz-marketing, undercover story about questioning the underlying motifs of the questioning of institutional frames. A doubling up on interdisciplinary stuff, short-circuiting connections by reconnecting, ending up in double standards, double meaning and double radio pleasure. Its 2 and its 2 again. Hell, it’s two as in nothing to lose and nothing to win; it’s 2 as in the end of proprietary exclamations, but shame on binary enterprises. International Festival Konst 2 / Konst 2 International Festival is a baroque folding, complexifying its existence by adding on the surface. A program on doubling and on 2 that ironically is broadcasted on the 11 September.

It is also International Festival’s relation to broadcasting, to the tone of voice and the opportunity for turbulence in highly public media. The program is a salutation to radio, to the theatricality implied in radio, which offers an inherent critique rather than an individual listeners experience of Pod casting. The radio as a background turned foreground and up in the face turned shadows for daily activity and work. Radio as a medium of radical distance, what is that machine in the kitchen babbling to us out of reach and easily turned of with a flip with your index finger. But radio is at the same time an extensively intimate set up allowing another, or many other’s voices to enter you private domain, voices that you can not look away from, voices of politics, intimacy and antagonism that you have lunch with and with which you produce relations.

Its two shows for the price of one. Its music in your mouth and just do it for your ears.

Click here to hear the show