Drugs, dirty dancing and pounding discoteca: man’s creations respond. This show was originally broadcast live from ResonanceFM studios, summer 2010. Follow Free Lab Radio’s blog or more regular posts on Facebook
Sat night from 11pm-midnight Free Lab Radio. We look at fringe dance genres, what’s out there?
This episode: Electronic and unmitigatedly wild saxophone sounds both imitating that great ear-splitter of the jungle: the monkey, with gloriously smooth sitar sounds at the plateau. Broadcast live from Resonance 104.4FM studios November 2010.
Saturday nights from 11pm-midnight we sample different and invigorating dance genres. This week’s Free Lab Radio takes a look at the sub-genre of Moombah and some of its derivatives especially Moombahton a blend of Moombah and reggaeton.
To mark Children in Need Week Dr Helen Nejad from the NGO Iran Children’s Charity visits the studio to discuss their drive to raise money for kids in Iran. Focusing mainly on orphans, those without national status or on the streets, the charity aims to supply two university hospitals in Iran that treat children specifically.
‘In Search of Simorgh‘ is Iran Children’s Charity’s first fund-raising event, a Persian Heritage music and contemporary and traditional dance theatrical performance. The performance is based on 12th Century Sufi classic Conference of the Birds by Farid Uddi Attar, and also loosely on the stage adaptation by Peter Brook and Jean-Claude Carriere. Musicians from Europe play cello, kamanche, tar, santoor, daf and percussion and 7 dancers interpret the text so that there is no language barrier to enjoying the performance.
If you would like to help children in need by simply being entertained, then please complete and return the attached form, or book your ticket online through their event website www.insearchofsimorgh.com The event is hosted by Kids Company founder Camila Batmanghelidjh.
Logan Hall, 20 Bedford Way , London WC1H 0AL
Sunday 21st November
18:00 to 22:00 (programme starts at 19:00)
All funds raised from donations, ticket and raffle sales will be used to purchase Keyhole surgical and other operating theatre equipment for Mofid and Ali Asghar Children Hospitals. Their target over the years is a minimum of £30,000 per hospital for the equipment. Your contribution can really help to save lives of children who undergo operations, facilitate quicker recovery for many more, as well as bringing relief and a smile to their siblings and families.
Feel free to contact them by visiting www.iran-children-charity.org
Fari Bradley reports from the Contemporary Iranian Music event at the Camden Underworld and interviews artist Maria Kheirkhah live in the studio about her career choice to become an artist, collecting air in the Iranian desert and her current exhibition the Psychology of Fear. Featured are Farinaz Entegham, Ali Charmi on hip hop and faith, and the father of one of the members of Simorgh.
(pictured: Maria Keirkhah collects hot desert air for her show)
Most Iranian parents want their children to be lawyers or doctors, so how do aspiring musicians fare with their parents when making out-of-the-ordinary career choices. Also what does contemporary music mean to most young Iranians? We’ve heard the desperate eurodance trash that most clubs advertise as Persian music, and other than that there is only Dylan-esque songs and traditional music to choose from in the main. Rightly, some UK based Iranians are fusing the traditional forms and instruments with modern concerns, with a vocal delivery that compares with rapping under the moniker Contemporary Iranian for the event and Simorgh for their group. Simorgh are also promoting other new musicians such as rapper Farinaz Entegham (Holland) and Reveal (UK).
This show was originally broadcast from Resonancefm studios in London on June 16th 2008, produced and presented by Fari Bradley
New Iranian National Ballet with Lady Jamila Kharrazi, the Toos Foundation, and Nima Kiann of Les Ballets Persans, Sweden, prior to the gala performance at Logan Hall to mark Les Ballets Persans 6th anniversary.
In a country where dance and performance is highly restricted, ballet seems something left over from the days of the Shas, a testimony to the effects of the identity of countries the west has sought to dominate. Meanwhile we may be familiar with classical scores that have sought to capture the spirit of the middle east with endemic melodies on violin or the standardisation of a sound from the Middle East on the string section, creating a kind of platitude in music for treatment of subjects during the launch of the era of technicolour film (Alad-Din, Sinbad etc).
In an ambitious move, Nima Khiann presents not only the ballet but an entire history of the importance of dance in Persian history, simultaneously dictated in English and Farsi at the gala performance with some sufi dancing by his ballet company, where the girls exchange their trademark buns for the loose, wild hair of a mystic seeker. The sufi tradition, we are told encourages dancing, an irony not lost on an audience comprised of many seeking artistic and spiritual freedom here in the UK.
Lady Jamileh Kharazi discusses the ins and outs of offering events of this size for free and her own extensive background in ballet and performance.