Category Archives: Shows

Regular broadcasts on Resonance FM

El Redux: James T Remix

An edit of Edible Landscapes, Resonance FM’s field recording collage. This episode was first transmitted on 9th May 2010 and the edit, which was re-mixed by Resonance engineer James T, is based on an episode of Edible Landscapes first transmitted in May 2009.

Hooting Yard: Shade Of Smart.

Bonkers Maisie in her cart, trundling past the madhouse wall. Has she read The Intellectual Part by author Rayner Heppenstall? Yes she has, a hundred times, it is the only book she owns. She can act it out in mimes while juggling several traffic cones. She trundles ‘long the rutted lane, heading for the distant sea. Sprites cavort within her brain, a brain no bigger than a bee. Dainty is her air and mien, though her cap is set askew. She is in love with Lothar Preen, the maestro. He is bonkers too.

This episode was recorded on the 25th February 2010. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the four publications We Were Puny, They Were VapidGravitas, Punctilio, Rectitude & Pippy BagsUnspeakable Desolation Pouring Down From The Stars and Befuddled By Cormorants are available for purchase.

Deep Fried Planet: Episode One

Today Deep Fried Planet premieres on Resonance FM. Presented by long time environmental activists Ben Stewart and Joss Garman, this is the first in a weekly series of discussions about current environmental affairs.

Stewart and Garman discuss the BP oil spill – “America’s worst environmental disaster in history”. They talk to Joe Romm and Duncan Exley.

Romm is a Senior Fellow at the Centre for American Progress, Assistant Secretary of state for Energy in the Clinton Administration and once described by Time magazine as the web’s most influential climate blogger and Exley is Director of FairPensions, an organization that lobby to promote ethical pensions investment in the UK.

Wavelength – 2008 May 23rd Metronome

Soundtracks from a CD attached to issue No 7 of “Metronome” magazine, published 2001 – this may cause offence. Metronome Number 7 Edited by Clementine Deliss; The Bastard, Magnetic Speech.

Bermuda Triangle Test Transmission Broadcasts 5/11/2009

5/11/2009
Title: Indoor Pyrotechnics via the Dark Part of Halvard’s Mind
Participants: Melanie Clifford, Halvard Ja Kwez
Description: Exploratory terrain again visited via the testing of SSB filtered Short wave band noise, Dark Part of My Mind Loops rhythm and noise, digital glitch shuffle. 5th November fireworks. Rough and agitational scrapings, buzzings, cracklings and amplitude shifts thoroughly test audience mettle. High and low end swoopings . Scratch loopage. Horror Firework safety information recollection. Underworld beats, bangs, whistlers and buzzes mix with electrical feedback conversationals. Dark and intense.

Bermuda Triangle Test Transmission Broadcasts 29/10/2009

29/10/2009
Title: Dys Tanz
Participants: Melanie Clifford, Howard Jacques, Alisdair McGregor.
Description: Looking into the (radio) Dys Tanz . Punning on dysfunctional dance and distance. Eliptical orbits, differing distances and qualities inside and outside the studio again. Transparent layers moving like parallax. The Octopus Dance Band Practice material from earlier the same evening featuring Martin Harrison, Mick Hobbs, Mary Currie and Howard Jacques recorded in an hurry for use in the programme at Nolia’s, Old Kent Road distanced by clock time and geography, unified through playback as withing track. Cooks up some big bass presence where distance becomes reduced but never removed, vignettes become density. Breaks back into contrasting layering patterning. Test confirms engineers found it easier to make closer present sounds than distant subtle ones though relative movements of elements was maintained intensely and various distances charted. The underpinning of traffic rumble and rush. Radio static invisible collage German language mystery broadcast. Traveling, traveling, traveling.

Panel Borders: Caught up with a Long Scarfe

Panel Borders: Caught up with a Long Scarfe

In the third of three shows about and inspired by the Tate Britain exhibition ‘Rude Britannia’, Alex Fitch talks to the beloved British cartoonist Gerald Scarfe about his contributions to the exhibition and Dickon Harris talks to comedienne Josie Long about her interest in creating ‘zines and comics for distribution at her stand-up comedy gigs…

Clockwise from top - part of Rude Britannia curated by Gerald Scarfe, a classic drawing of Thatcher by the artist, cover of a zine by Josie Long

Clockwise from top - part of Rude Britannia curated by Gerald Scarfe, a classic drawing of Thatcher by the artist, cover of a zine by Josie Long

For more info about this podcast and a variety of formats you can stream or download, please visit the home of this episode at www.archive.org

Links: Rude Britannia microsite
Video tour of the exhibtion on The Telegraph website
Gerald Scarfe‘s website

Josie Long‘s website including her comics archive
Info about The Black Heart, home of Josie’s ‘Lost Treasures’…

Recommended events:

David Hine and Shaky Kane signing and exhibition at Orbital Comics

David Hine (Son of M, X-Men Noir) and Shaky Kane (Soul Sisters, Judge Dredd) willl be signing their new comic, Bulletproof Coffin, at Orbital Comics Thursday 24th June 2010 from 5-7pm.

There is also an exhibition of Shaky Kane artwork in the Orbital Comics Gallery from 14th-30th June.

Orbital Comics, 8 Great Newport Street, London WC2H 7JA
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Hooting Yard: 77 Today.

It is not, I think, generally known that the notorious killer Babinsky was also a man of letters. So the imminent publication of The Complete And Staggeringly Voluminous Correspondence Of The Notorious Killer Babinsky, in no fewer than forty volumes, is to be welcomed. Babinsky, it seems, when he could tear himself away from the committal of blood-drenched enormities, wrote dozens upon dozens of letters, every day, to a bewildering number of correspondents, some of whom actually replied.

This episode was recorded on the 18th February 2010. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the four publications We Were Puny, They Were VapidGravitas, Punctilio, Rectitude & Pippy BagsUnspeakable Desolation Pouring Down From The Stars and Befuddled By Cormorants are available for purchase.

Hollingsville: Episode 10, Monsters

Slouching into Hollingsville for episode ten of the series are artist Laurie Lipton and Strange Attractor’s Mark Pilkington. Musical interludes come courtesy of the McCarricks with background moods by Graham Massey.

Monsters, no matter what their shape or size or attitude, serve as a warning and should be welcomed as such. Having no place either in nature or in polite society, they have little choice but to exist as reminders of the things we’d much rather forget. Godzilla, for example, has been good to us over the years, the way only a bad dream can be. The unforeseen by-product of atomic tests taking place in the Pacific Ocean over fifty years ago, the blinding intensity of Godzilla’s birth ensured that he cast more than one shadow over the intervening decades. But what about the monsters that lurk in our own homes – or the ones that occupy the vast deserts of modern myth?

After visiting Mars, where next? Welcome to Hollingsville: the new twelve-part series from writer Ken Hollings. A World’s Fair of the airwaves, the shows focuses each week on a different aspect of our historical relationship with technology. From machines to monsters, spaces to dreams, this Radio Expo offers an unscripted tour through the chosen theme, utilising voices and sounds from special guests and presented by Ken Hollings with his usual idiosyncratic flair.

Ken Hollings is the author of Welcome To Mars: Fantasies of Science in the American Century 1947-1959, available from Strange Attractor Press. For more information go to http://www.strangeattractor.co.uk or http://www.kenhollings.blogspot.com

Clear Spot 18th June 2010: Unimagining Corporate Greenwashing

Deepwater Horizon has highlighted the fatal consequences of corporate incompetence. This is the first in a series of conversations with artists, activists, curators and concerned individuals addressing art’s environment and the impact artists around the world are having on environmental and social policy.

Tonight we have James Marriott, of Platform, an organization that brings together artists & activists to create projects focused on social and ecological justice, in conversation with John Jordan, co-founder of the Laboratory of Insurrectionary Imagination, a network of socially engaged artists and activists whose work falls in between resistance and creativity, culture and politics, art and life.

They discuss what makes art such an effective catalyst for change, the history of art-activism, the ailing condition of art institutions, the architecture of corporate sponsorship of cultural institutions and how the Lab of ii recently exposed the Tate Modern’s complicity with BP’s project of maintaining a ‘social license to operate’.