In the third episode of Deep Fried Planet, Joss Garman discusses subsidies to big oil and big coal, and cuts to clean energy budgets. Joining him this week are Sarah Jayne-Clifton from Friends of the Earth and Colin Hines from the Green New Deal group.
Category Archives: Shows
I’m ready for my close-up: 3 Zombies, 2001 Maniacs and a Chainsaw Massacre!
I’m ready for my close-up: 3 Zombies, 2001 Maniacs and a Chainsaw Massacre!
Originally broadcast 30/07/10 on Resonance 104.4 FM
Alex Fitch talks to actor Bill Moseley about his career in the horror film genre, and the continuing occurrence of sequels and remakes in his work, from appearing in The Texas Chainsaw Massacre 2 and Bruce Campbell vs. Army of Darkness in the 1980s, the remake of Night of the Living Dead in the 90s (and its forthcoming animated prequel), a trio of Rob Zombie films, including House of 1,000 corpses and The Devil’s Rejects and the recently released sequel to a Herschell Gordon Lewis ‘classic’: 2001 Maniacs – Field of Screams….
To download / stream this radio interview in a variety of formats, please visit www.archive.org
Links: Wikipedia pages on Bill Moseley, 2001 Maniacs: Field of Screams and Night of the Living Dead: Origins 3D
Official 2001 Maniacs: Field of Screams website
Listen to Alex’s interview with Bill Moseley’s Army of Darkness co-star, Bruce Campbell

Electric Sheep podcast: The films of Vincenzo Natali
Electric Sheep podcast: The films of Vincenzo Natali
Partially broadcast 23/07/10 as part of an episode of I’m ready for my close-up on Resonance 104.4 FM
To coincide with the release of the new Sci-Fi thriller Splice, in which scientists Adrien Brody and Sarah Polley create a dangerous half human hybrid via genetic manipulation, Alex Fitch talks to director Vincenzo Natali about the film and the other three movies he’s collaborated on with actor David Hewlett: Cypher, Nothing , the cult classic Cube and his forthcoming adaptation of William Gibson’s novel Neuromancer…
More for more information and a variety of formats you can stream / download, please visit the home of this podcast at www.archive.org
Links: Wikipedia pages on Splice, Vincenzo Natali and David Hewlett
Official Splice website
Splice trailers at apple.com
Read Alex’s reviews of Splice and Cube
Listen to Alex’s interview with David Hewlett about working with Vincenzo Natali
Reality Check: David Hewlett from Cube to Splice
Reality Check: David Hewlett from Cube to Splice
Partially broadcast 23/07/10 as part of an episode of I’m ready for my close-up on Resonance 104.4 FM
Alex Fitch talks to actor David Hewlett about the four films he’s made with director Vincenzo Natali – Cypher, Nothing, the cult classic Cube and their new film Splice, which is in cinemas now. David also talks about his interest in William Gibson’s Neuromancer and his directorial debut A Dog’s Breakfast…

The cast of Splice by Vincenzo Natali - Adrien Brody, Sarah Polley, Simona Maicanescu and David Hewlett
For more info about this podcast and a variety of other episodes you can download, please visit the home of this episode at www.sci-fi-london.com
Links: Wikipedia pages on Splice, Vincenzo Natali and David Hewlett
Official Splice website
Splice trailers at apple.com
David Hewlett’s website – www.dgeek.com
Read Alex’s reviews of Splice and Cube
Read an interview with Vincenzo Natali about Splice at www.sci-fi-london.com
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Wavelength – 2008 July 25th Ed Baxter Part 4
Interview with Ed Baxter director of Resonance 104.4fm (part 4).
Hooting Yard: Zoist Spasms.
I strode manfully over to the town gymnasium to throw medicine balls around to no apparent purpose and to spend a while on the simulated bobsleigh machine. At the corner, as luck would have it, I bumped into young Dagobert Stalin, but he was in a frantic hurry, rushing to some newsworthy incident, of which I would no doubt read in tomorrow’s paper.
Chambers And Hiss At The Pumpkin Patch
Fantastic Architecture Of The Burning Cities
This episode was recorded on the 4th April 2010. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the four publications We Were Puny, They Were Vapid, Gravitas, Punctilio, Rectitude & Pippy Bags, Unspeakable Desolation Pouring Down From The Stars and Befuddled By Cormorants are available for purchase.
Wavelength – 2008 July 11th Ed Baxter Part 3
Interview with Ed Baxter director of Resonance 104.4fm (part 3).
Hooting Yard: About Ivan Clank.
A hammer thumped thrice upon a panel indicated the good burghers had made a decision, and the townsfolk gathered in the square to hear it pronounced. The grubby man was to be coaxed into a tub of hot water, and scrubbed with soapy brushes, scrubbed and rinsed and scrubbed and rinsed until all trace of visible filth was expunged, and he would step from the tub to be enwrapped in a large rectangular towel albino white while the water in the tub was poured down a drain into the sewer.
And so it came to pass.
This episode was recorded on the 25th March 2010. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the four publications We Were Puny, They Were Vapid, Gravitas, Punctilio, Rectitude & Pippy Bags, Unspeakable Desolation Pouring Down From The Stars and Befuddled By Cormorants are available for purchase.
Wavelength – 2008 July 4th Ed Baxter Part 2
Interview with Ed Baxter director of Resonance 104.4fm (part 2).
Deep Fried Planet: Episode Two
This week Joss Garman and guest presenter Graham Thompson discuss recent direct actions in Aberdeen and London.
Joss speaks to Dan Glass and Tilly Gifford of the Climate 9, a group of activists currently on trial in Scotland for an action taken at Aberdeen airport. The group closed down the taxi way in order to reduce the total number of emissions from flights that day. Their decision to cease to their protest was controversially based on a false police report that they were endangering the life of a new born awaiting air transfer.
Also on this week is James Marriot of Platform London. James discusses his part in the recent protest at the Tate Britain calling for an end to BP’s sponsorship of the arts. Marroit discusses how corporations like BP use sponsorship packages in order to obtain “social license to operate” or in other words, to distract the public from the environmentally detrimental activities that drive their profits.