Longstanding underground DJ and jungle producer Persian’s collaborators include MC Mello, UK Apache and DJ Texsta. Producing vinyl since 1991, Persian has remained a dedicated jungle producer and as such is one of the last few proponents of this genre. But will jungle, and especially jungle on vinyl, come back? We spin Persian’s dedicated productions in the studio while mulling over this pertinent question, while playing a few cheeky games based on Persian’s many monikers and on wrongspeed vinyl settings… Follow Free Lab Radio’s blog or more regular posts on Facebook
Tehran-based Soleimnapour’s latest production White Rabbit, Red Rabbit is an experiment with roots in improv theatre; a new actor each night, reads the script who delivers the piece cold, in front of a live audience and renders each delivery in itself, unique. Running in the LIFT 2012 festival, at Notting Hill’s Gate Theatre, the play looks at issues of obedience and manipulation. The play requires the performers to know next to nothing about the content and has attracted performers as renowned as Juliet Stevenson, among others. So how does it work?
The actor is handed a sealed envelope in front of the audience, inside which will be the script. There has been no rehearsal, no direction and in fact there is no set just an actor and an audience without costume and without other characters on whom to rely. Reading cold is never easy, the play stretches the actor to his limit in front of an audience who knew more about the play than its actor before the start.
Imagine being 29 and unable to leave your country. ‘White Rabbit, Red Rabbit’ dissects the experience of a whole generation in a wild, utterly original play. Soleimanpour turns his isolation to his advantage with a play that requires no director, no set, and a different actor for each performance. Volcano Theatre & Necessary Angel co-produced the world premiere of White Rabbit, Red Rabbit in 2011, shown simultaneously at SummerWorks and Edinburgh Fringe Festival. It is now playing around the world.
Mahmood Enayat from Small Media speaks to Six Pillars to Persia about the new Small Media report “Satellite Jamming in Iran – A War Over Airwaves.” After presenting the report to parliament, Small Media are pushing for new regulations, where none currently exist, on global satellite jamming. Here Mr. Enayat explains how figures clearly show that satellite jamming is a form of censorship that effects far more people in Iran than internet censorship currently does.
We also discuss art, Lebanon and the fascinating story of the Lebanese community in Australia with Kamal Ackerie, himself a Lebanese Australian. At the time of interview Ackerie was Associate Director of the prolific arts and music production agency Forma Arts, UK.
Six Pillars podcast of the interview broadcast August 20th, with BFI-once-NFT head of programming Sheila Whittaker. In her role she visited in Iran yearly for 25 years. Now in protest over the treatment of film maker Jafar Panahi, Whittaker will no longer visit. She explains the season and why and how it was programmed.
Composer, former post-punk band member and BBC Radio 3 broadcaster Robert Worby in the studio discussing his methods, influences and the forthcoming John Cage centenary. From reel tape to keyboards to field recordings, features on sound art history, and even directing the Sonic Arts Network while holding down his day job on BBC 3’s Hear and Now – Worby’s life is steeped in audio.
Leaping across the pond on lily pads buoyed up by sound. Amongst others, Canadian avant garde, African-Brazilian-Indian tribal gabba, remixed Irish boy bands and various electronica of Persian descent.
Trollstepper by Fari Hip teen American programmers, chat room trolls and producers vent their feelings in this new genre blend of rap, lo-fi game tunes and dark step. Dubstep’s offshoot Trollstep is the first generation of internet babies growing up. “Teehn Bwitches 12yr old wicca on H learning spells on youtube.”
Fari Bradley discusses shamanism, ‘beast visions’, social change and social cleansing with prolific artist Marcus Coates. Coates consulted with locals and developers alike to devise a shamanic intervention into the regeneration of Elephant & Castle and its Heygate Estate.
Coates’ interactions with the amazing array of characters around the Elephant and Castle culminated in a vision-ritual performance with 16 piece disco-Prog group Chrome Hoof at the iconic Coronet theatre.
The subsequent documentary film Vision Quest: A Ritual for Elephant & Castle was screened in an empty shopping unit in the centre, long-since marked for demolition along with the estates and areas around them. “I asked them how would you represent this place in terms of an animal? […] The council were amazing actually, the way they co-operated with the process […] You don’t actually see this in the film, but afterwards I asked them to envisage in a very personal way what their personal vision was, ’cause you have corporate vision and these scripted visions but I wanted them to invest in their own personal vision of what the Elephant could be. ” said Coates “.”