Category Archives: Shows

Regular broadcasts on Resonance FM

Hooting Yard: Real Orghast

N.B.  As an episode of “Obsequies For Lars Talc, Struck By Lightening” is missing from the audio archive it has been decided, by the Soup Committee members no less, to carry on regardless with the next show that isn’t  “Obsequies For Lars Talc, Struck By Lightening” hoping that, given the length of the intervening period since the last podcast, no one will notice.

In those days, you see, we were taught such piffle as reading and writing and arithmetic and Latin and history, so my not having a head sent the teachers into a kerfuffle. I’m told there was some kind of emergency meeting in the staffroom – a fug of pipe-smoke then, of course – and I was put in isolation in the sickroom while they worked out what to do. How much more enlightened would things be today! Head or no head, I am sure there would be no attempt to exclude me from the diversity and self-esteem lessons. Indeed, my headless presence would be seen as a benefit, both to myself and to my fellow pupils, and to the teachers themselves. In fact, I would probably get a prize, just for not having a head. On the rare occasions prizes were dished out in those far off days, they were invariably book tokens, and I would certainly not have got one for not having a head. Now, I could expect something useful like a new app for my iPap, or a voucher for Pizza Kabin.

This episode was recorded on the 06th October 2011. A complete transcript of this episode can be found on Frank Key’s Hooting Yard website. Accompanying Hooting Yard On The Air, the six publications We Were Puny, They Were VapidGravitas, Punctilio, Rectitude & Pippy BagsUnspeakable Desolation Pouring Down From The StarsBefuddled By Cormorants , Inpugned By A Peasant And Other Storiesand Porpoises Rescue Dick Van Dyke are available for purchase

Panel Borders: Taboo and other anthologies

Panel Borders: Taboo and other anthologies

In the last of our month of shows on comic book anthologies, Alex Fitch talks to Kevin Eastman and Steve Bissette, co-publisher and editor respectively, of the ground-breaking horror periodical Taboo, which included the first instalments of Alan Moore’s From Hell and Lost Girls as well as work by Neil Gaiman, Moebius, S. Clay Wilson, Eddie Campbell and more. Kevin also discusses letting other creators draw the Teenage Mutant Ninja Turtles in his Shell Shock collection and elsewhere, and Steve talks about the travails of the Image Comics 1963 project, and the return of his characters in the forthcoming sequel anthology Tales of the Uncanny – N-Man and Friends.

Covers of Shell Shock, Taboo issues 4 and 1, 1963 issue 3 and proposed Tales of the Uncanny cover

Covers of Shell Shock, Taboo issues 4 and 1, 1963 issue 3 and proposed Tales of the Uncanny cover

Links: Steve Bissette’s website and shop where you can buy Taboo
Kevin Eastman’s website Continue reading

Wavelength – I don’t want to shoot your children (Destruction in Art Part 12).

Interview with Steve Pratt who served in the Special Air Services or SAS from 1969-1981 before becoming an artist. Steve lives and works in northern Finland and London and works on paintings which attempt to expose the hidden realities of conflict. I met Steve for the first time about 3 weeks ago when he showed me a copy of a new book about his work entitled “I DON’T WANT TO SHOOT YOUR CHILDREN” with the subtitle “The Making of a Dangerous Individual” followed by a long number with a black line through it… Steve Pratt:

Technical Difficulties 4:3

News from the mess that is Atos’s assessments and another chance to hear the pink-haired punk Kieran Strange hitting a nerve.

 

Reality Check: 35 years of 2000AD – Pencils and paint

Reality Check: 35 years of 2000AD – Pencils and paint

In a companion podcast to a recent edition of Panel Borders, Alex Fitch talks to a pair of iconic artists, responsible for illustrating many of 2000AD’s most memorable characters to celebrate the title’s 35th anniversary year. Kev Hopgood has drawn Judge Dredd, Future Shocks and Harlem Heroes, before going on to co-create War Machine in the American Iron Man comic; while Henry Flint has rendered memorable runs on Nemesis the Warlock, Rogue Trooper and ABC Warriors.

(Expanded podcast of the second half of a Clear Spot, broadcast 26/09/12 on Resonance 104.4 FM)

2000AD covers by Kev Hopgood and Henry Flint

2000AD covers by Kev Hopgood and Henry Flint

For more info about this podcast and a variety of other episodes you can download, please visit the home of this episode at www.sci-fi-london.com Continue reading

Panel Borders: 35 years of 2000AD – Words and letters

Panel Borders: 35 years of 2000AD – Words and letters

Covers of 2000AD progs 1799 and 1800 featuring a promotional image from Dredd and art by Chris Weston and Simon Bisley

Covers of 2000AD progs 1799 and 1800 featuring a promotional image from Dredd and art by Chris Weston and Simon Bisley

Continuing our month of shows about comic book anthologies, Alex Fitch talks to Matt Smith about editing 2000AD and writing prose adventures of Judge Dredd, to David Baillie about penning Future Shocks, and to Annie Parkhouse about lettering “the galaxy’s greatest comic” in its 35th anniversary year. Matt also discusses penning a comic strip prequel to Dredd 3D in the latest Megazine, David discusses the concept of ‘selling out’ as a small press creator and Annie talks about her travails with international creators on American comic books. (Originally broadcast as the first half of a Clear Spot, 26/09/12 on Resonance FM)

For more formats to stream or download this podcast in, please visit www.archive.org
Continue reading

Art Monthly Talk Show on Resonance104.4 FM, 14th September 2012

 

 

 

 

 

 

 

 

 

Jennifer Thatcher and Morgan Quaintance bring their two texts from the September issue of Art Monthly together. Jennifer’s feature – a conversation with Tino Sehgal and Morgan’s review of Claire Bishop’s book Artificial Hells.

Tino Sehgal is a key figure in the rise of participatory art, using performers – or ‘interpreters’ – to engage with audience members. He discussed his current (Sept 2012)commission for Tate Modern’s Turbine Hall, his reliance on art galleries for context, the motivations driving his interpreters and his work’s avoidance of open-ended public engagement through a strict adherence to ‘the craft of composition’.

‘Unlike our name-badge culture of faux-intimacy (Hello, my name is Bob, how can I help you?), these interpreters remain anonymous. Yet that anonymity “paradoxically allows for greater intimacy”, Sehgal argues, “when you meet a stranger on a train, you can always say more.”‘

Morgan Quaintance wrote: ‘Claire Bishop explains that the dominance of ethical and moral judgement is killing aesthetic assessment in an “ethically charged climate in which participatory and socially engaged art has become largely exempt from art criticism”. This new binary (the ethical versus the aesthetic) replaces the passive-active conundrum as the new site of contention to be duked out in the participatory debate.’

The programme is hosted by Matt Hale who has worked at Art Monthly since 1991.

Previous episodes are available on Art Monthly’s website www.artmonthly.co.uk/events.htm

Art Monthly magazine offers an informed and comprehensive guide to the latest developments in contemporary art.Fiercely independent, Art Monthly’s news and opinion sections provide regular information and polemics on the international art scene. It also offers In-depth interviews and features; reviews of exhibitions, performances, films and books; art law; auction reports and exhibition listings

Art Monthly magazine is indispensable reading!

Special magazine subscription offer for Resonance 104.4 listeners.Subscribe now and save 40% on the cover price at

www.artmonthly.co.uk

 

Panel Borders: Aces Weekly

Panel Borders: Aces Weekly

Continuing our month of shows about anthologies, Alex Fitch talks to the creator and co-editor – David Lloyd – of a new weekly digital comics anthology, Aces Weekly. Alex also talks to three of the other contributors – David Leach, John McCrea and Kev Hopgood – about their new strips which will feature in the title and how the creators hope this will open up a new market for British comics in a brand new format.

Clockwise from top left, art from Aces Weekly by: David Lloyd, David Leach, Kev Hopgood and John McCrea

Clockwise from top left, art from Aces Weekly by: David Lloyd, David Leach, Kev Hopgood and John McCrea

Visit www.archive.org, for more info and formats you can stream / download.

Links: Aces Weekly official website and facebook page Continue reading

Wavelength – In Sara, Mencken, Christ and Beethoven there were men and women.

Composed by Robert Ashley in 1972, released on Cramps Records in 1974. The text is by John Barton Wolgamot, written in 1944 and published privately in two different versions. The book was reputedly found by chance in a second hand bookshop in Greenwich Village in the 1950s. ‘Wolgamot said he had sold twelve copies of the first edition and two copies of the second. Wolgamot said that the “book” was essentially the title page, that one should consider the title page to be the “body” of the book, and that the 128 pages of names should be considered as “the blood flowing through the body”. Wolgamot was being modest, facetious, self-deprecating, whatever, when he said, “It’s harder than you think to write a sentence that doesn’t say anything”‘.

Technical Difficulties 4:2 (with Disability News Service)

Disability News Service round-up including:

? British Paralympians Danielle Brown, David Smith and David Clarke on the effect that Disability Living Allowance has on their lives

? Atos’s continued high rate of failure in testing.