Are we currently exposed to unexplored musical terrain? Are the latest developments in jazz unique to the present day? And does it make any sense, either practically or creatively to label this music as “post-jazz”? Can we really say that this is the post-jazz era? This documentary provides argument, debate and comment on these and related issues. It also features music from some of Britain’s most experimental ensembles; Fraud, Ma and the Dave Kane and Alex Bonney duet.
Produced and presented by Joseph Kassman-Tod
Engineering and post-production by Chris Dixon