Tag Archives: interview

Six Pillars – Antonia Carver, Art Dubai

Six Pillars at JAOU Tunis: Antonia Carver, Art Dubai + Rahilla Zafar, Arab Women Entrepreneurs

JAOU 2015 flier _webAt JAOU Tunis conference May 2015 artist Chris Weaver speaks with Antonia Carver, director of Art Dubai, after the panel ‘Future Imperfect: Art Institutions in the Middle East’, and Rahilla Zafar, author and business consultant about her book on Arab women entrepreneurs.

Antonia Carver has written extensively on Middle Eastern art and film, as a correspondent for The Art Newspaper and Screen ArtDubai International, among other publications, books and journals.

Rahilla Zafar writer, editor and business development consultant for Wondros, contributes to The Economist’s GE Look Ahead, an award-winning series on global innovation trends. Rahilla co-wrote ‘Arab Women Rising: 35 Entrepreneurs Making a Difference in the Arab World’ and is working on a book on women in Saudi Arabia.

After the Bardo Museum attacks on tourists in 2015, JAOU festival did not deter from holding its annual arts events again at the Tunis museum.

Six Pillars – Rose Issa, Michket Krifa at Falgoosh, Art Dubai 2014

Six Pillars – Rose Issa + Michket Krifa at Falgoosh, Art Dubai 2014 by 6pillars

indexCurators and authors Rose Issa (London) and Michket Krifa (Paris) discuss curating Middle Eastern and North African art in a European context, at a time when institutions, for the first time in France, but since some years already in the UK, are faced with cuts.

Rose Issa is director of Rose Issa Projects, a gallery spread across two spaces in the UK, and has been working Arab and Iranian art for over 20 years, while Michket Krifa was since 2009 the artistic director of the 8th and 9th Bamako Encounters, African Biennale of Photography. She has been involved in Iranian art since the first Iranian photography exhibition in Europe Regards Persans (Iran- Espace Electra 2001). Michket is also a nominator for the Prix Pictet.

Recorded in UAE at Art Dubai 2014.

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Six Pillars Podcast – East Wing Gallery, United Arab Emirates

Six Pillars – East Wing Gallery, Dubai by 6pillars

At a time when photography as an artistic medium is undergoing continual changes and challenges, a new gallery in Dubai focuses specifically on the medium. Having expanded and strained under the onset of digital photography and the smart phone camera boom, the art form is now faced with the proliferation of the image, a flood of low-grade images in places once reserved for those of the highest quality amongst other challenges.
We speak to the director of East Wing, Elie Domit about his interest in and dedication to photography, and the show ‘Ramadam in Yemen‘, a series of one-off prints taken in the early 90s around the mountain villages of Yemen by Australian photographer Max Pam, decorated with diary notes scribbled on the sides of these very personal postcards.

Read more about the weekly radio show and culture portal: www.sixpillars.org

Broadcasts Thurs 19:30 BST, repeats Wed 2am BST. Listen on 104.4FM in London & www.resonancefm.com/listen
Original post: http://sixpillars.org/2014/07/16/this…

Six Pillars Podcast – Kronos Quartet Warp and Weft

Six Pillars – Kronos Quartet and Sahba Aminikia by 6pillars

Tar o Pood (Persian for warp and weft) is a collaboration between Kronos Quartet and Iranian-Canadian Sabha Aminikia. We interview violinist and Kronos Quartet founder David Harrington, ahead of the performance at San Francisco’s Switchboard Festival, on how their work is centred on a politics heavily informed by the group’s feelings about their own country’s foreign policy (Australia) and treatment of minorities. Sahba Aminikia has featured before on 6 Pillars. The first piece we heard of his was ‘Threnody for Those Who Remain’ in 2010, dedicated to Aminikia’s father. For Tar o Pood, Sahba spent months trundling around Iran recording weaving processes. During the performance the players wear headphones, playing along with work songs sung by Iranian weavers. The audience hear the weaving interspersed with the piece. Aminikia’s grandparents were carpet weavers from Kashan and his grandmother’s singing was also used in the third movement of the piece. www.sixpillars.org